Charlotte Ince
PRINCIPLE EXHIBITIONS
Painting-Etching-Monoprints-Pastels-Drawings
2012 Château Mercuès
2012 - Paris, France:
Gallerie Annette Huster
2011 - Château Haute
Serre
2008 - Gallery 10,
Washington, DC
2004 Gallery Le
Temps Present, Evian, France
2003 Delort Printing
House, Toulouse France “ Living Room”
Gallery L’Acadie, Cajarc, France “Entre Nous”
2002 Gallery Figure,
Paris “ People and Things”
Salon: ART.METZ, France “Aspects of Couples”
2000 “Muted Meanings” Australian
National University --
Canberra School of Art
1997 “Tête à Tête”,
St. Cirq Lapopie
1996 Galerie L’Acadie, Cajarc, France « Pictures »
1994 Galerie EFTE, Paris
1993 Gallery Les Champs Bleus, Paris
1992 Atelier Jean
Yves Gosti, « Family Values »
1991 Gallery Le Cercle Bleu, Metz, France
1988 Galerie Monique Sarrazin, Paris
1987 Exhibition for the World Championship of Billards, Paris
1985 Gallery Art Concorde, Paris
1982 Gallery Lothar Speerlich, Berlin
SELECTED GROUP EXHIBITIONS
1987-95
Artistes à la Bastille – A
non-profit association that organized events around artists studios
at the Bastille in Paris,
where my studio was located from 1984 to 1995. Funding from municipal
and private sources aided the publication of a yearly catalogue which
featured the work of each participating artist sometimes in collaboration
with writers, musicians and actors as well as a number of cross cultural
exchanges with artists from different countries. This association was
also instumental in procuring legal leases for artists in France.
1988 Printmaking
Biennale: Digne Muséum, Digne, France
1990 Galerie d’Art
Contemporain St Cirq Lapopie, France
1991 Gallery Nicole Bellier, Paris
1992 Salon : « Contemporaine »,
Grande Palais, Paris
1997 « The Month of Prints », Paris. Exhibited with Cours
Pavé Editions
2000 “Strates et Failles”, Beauregard, France. Ceramic installation
in an open air site : « 20 Fish in Search of the Sea ».
COLLECTIVE CATALOGUES
2002 ART.METZ, Metz France
2000 Strates et Failles, Beauregard, France
1990-95 Artistes à la
Bastille
1992 “Contemporaines”,
Salon. Paris
1988 Biennale de Digne
TEACHING-PRESENTATIONS-RESIDENCE
2001-04 School of
the Art Institute of Chicago program for The Artist Traveller’s
Sketchbook. Presentation of my work and methods in my studio to the
students participating in this program.
2004 Acceptance at Oxbow Residency, Illinois. However, due to conflicting
dates and a previous engagement was unable to attend
2000 Artist in Residence: Four month residency at the Australian National
University, Canberra School of Art. Sponsored by Network Economy Consulting
Group with the support of the Alliance Francaise. Solo exhibition, conference
on the subject of my work and methods and studio consultation with the
graduating class.
1996 Bennington College Year Abroad Program in Paris, Taught beginning
painting and drawing for students placed in my studio as part of their
accredited curriculum.
SELECTED BIBLIOGRAPHY & PUBLICATIONS
2005 Comcast Studios, Hollywood California: Joan Quinn Profiles.
Interview and presentation of my work. Broadcast: February 14, 2005.
2004 “Reisewege” a
German television journal for Channel 3 South West Interview and work
filmed in my studio. Broadcast March
16, 2005.
2003 “Offing Offkey”,
12 page publication, 7 color plates and original text.
Edited by Delort Printing House, Toulouse, France.
Cover page reproduction
of etching: “Etude”, for Spring
Journal,
N° 70, A Journal of Archetype and Culture, Woodstock,
Connecticut.
2000 “Muted Meanings”,
6 page publication, 7 color plates, 3 black and white plates, with
text by Jenny Whitmore. Edited by the
Canberra School of Art, Australian National University.
1999 Performance
Magazine n° 102 November-December. Reproduction
of oil painting “Three Faunes in Search of an Afternoon” for
cover
page.
1998 Le Monde
de L’Education et de la Culture, n° 264 November.
Reproduction of oil painting « The Family » (75in x 55in) for cover
page. Guest editor: Irène Théry, Dossier: Famile. The reproduction
was also used for the publicity campaign appearing in Le Monde, daily, VSD,
Télérama and Marianne magazines as well as for
Advertising posters (26in x 39in), distribution Paris.
1997 Le Monde
de L’Education et de la Culture, n° 245 December.
Reproduction of oil painting, « Red Crowd » (26in x 36in) for cover
page, guest editor: Elie Wiesel, Dossier: Civisme. The reproduction was also
used for the publicity campaign appearing in Le Monde, daily, VSD, Télérama
and Marianne magazines as well as for advertising posters (26in x 39in), distribution,
Paris.
1991 Artension
Magazine (national contemporary art magazine) n° 21
February. Rubric: Artist’s Studios by André Laude. Two page article
With reproductions of “Separate Tables” (24in x 31in), oil on canvas
and “Billard II” (52in x 63in) oil on canvas.
1984-85 “L’Art Quotidien” magazine,
Paris. Collaboration and reproduction of paintings.